televised documentary

This thesis analyses the characteristics, cultural patterns, the categories and the existing problems of the televised documentary programmes, with methods of generalizing the history, clarifying and textual analysis.

本文主要采用了历史梳理、分类思维和文本分析的研究方式，着重分析了我国电视纪录片发展的特点、文化形态以及纪录片栏目的类型和存在的问题等等。

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An excellent televised documentary is telling a real story, and story can open up the existence and development of televised documentary.

一部优秀的电视纪录片就是讲述一个真实的故事，故事性为纪录片的生存和发展拓宽了道路。

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Wang Jing, who was studying for a doctor's degree in the Japanese capital, watched as usual a televised documentary about the lives of the rich and powerful.

正在攻读博士的王京照例看着电视台一档介绍富豪生活的记录节目。

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Also, by presenting the development process of the televised documentaries and the televised documentary programmes, this thesis tries to get a clear understanding of the televised documentary programmes and to explore their developing trend, as well as its developing roads.

试图通过对电视纪录片和电视纪录片栏目发展过程的梳理，看清我国电视纪录片栏目发展的真实现状，探索我国电视纪录片栏目的发展趋势和发展道路。

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Depending on the style, we can divide Chinese televised documentary into three genre: Beijing documentary, Shanghai documentary, and western documentary.

中国电视纪录片从风格上分为京派纪录片、海派纪录片、西部纪录片三大流派。

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To televised documentary, a part as a national national humane education, it is undertaking to popularize the historical task of the humane idea.

对电视纪录片来说，作为一个国家国民人文教育的一部分，它承担着普及人文观念的历史任务。

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Be that as it may, still cannot we say that the televised documentary programmes are stepping out of the ebb, because the viewing rates remain relatively low and the surviving conditions are not optimistic.

不过，我们也还不能就此说电视纪录片栏目已经完全走出低谷，因为纪录片栏目的收视率仍在低位徘徊，电视纪录片栏目的生存仍然不容乐观。

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Aesthetic Development of Chinese Televised Documentary Since 1980s

中国新时期电视纪录片的美学进展

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On Story of Televised Documentary

论电视纪录片的故事性

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To study "Humanist Spirit" of televised documentary belong to "having new old topic of inserting angle".

研究电视纪录片的人本精神属于有新的插入角度的老话题。

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televised documentary derives from movies, the early homiletic works became a tool for framer to realize their propaganda purpose.

电视纪录片脱胎于电影，早期作品说教味较为浓重，大多是创作者实现宣教主旨的工具。

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This article holds that the televised documentary need tell of the true story, and it must exert itself the members of its characters 、 events and background of exhibition, and use the trenchancy expression to achieve the fascination of televised documentary by story.

而电视纪录片要讲述真实的故事，必须着力于人物、事件和背景这些构件的表现，用故事的有力表达实现电视纪录片的永恒魅力。

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